She asks Anupamaa why she is always there in her house. Kavya takes Anupamaa to her old bedroom on purpose and locks the door. Vanraj again tried to stop her, but Anupamaa interrupted him and said that she was ready to talk. She tells them that she wants to talk to Anupamaa. Vanraj asks Kavya to not create a scene, but she doesn’t listen. She tells them that during Paritosh and Kinjal’s wedding, Anupamaa insulted her, and now it’s her time to take revenge. She pulls Anupamaa by her hand leaving everyone shocked. Vanraj stands next to Anupamaa and this makes Kavya very uncomfortable. Later, Samar asks everyone to gather for a photograph. Bapuji then makes a grand entry dancing to “Saajan ji ghar aaye”, and in the presence of the family and Anuj and GK, the couple gets married again. Seriously, who approved this movie?!įor interesting trending videos from InUth, follow us on Youtube.The Friday episode of Rajan and Deepa Shahi’s “Anupamaa” started on a happy note with Vanraj getting Bapuji ready for the wedding celebration, while Anupamaa and Dolly help Baa in dressing up. Pyar se mai daloonga” in this cheap video is too magnetic for Heera Rajgopal to keep her hands off of him. As if the lyrics weren’t enough, the dance choreography is not a charm either.Īnother one from Andaz, Juhi Chawla sits on Anil Kapoor’s lap in this song as he thumps his pelvis up and down singing, “ Khada hai khada hai.” Still kinda surprised this was produced by Pahlaj Nihalani.Īpparently, Sanjay Dutt shaking his hips while singing “Daloonga daloonga. With lyrics like Khol ke mujhko dede, oh dede dede, this song crosses all bounds of indecency. Teri Le Loon – Tere Mere Beech Mein (1984) With Madhuri Dixit’s thumping chest as Ila Arun provides the vocals, “ Choli ke peecha kya hai? Chunri ke neeche kya hai?”ĩ. You have got to be familiar with this song unless you’ve been living under a rock for decades. Choli Ke Peeche Kya Hai – Khalnayak (1993)
Also, the chorus of this song is basically just “ ui ui ui” so that doesn’t help either.Ĩ. Kaha hai teri chuhi?“… As if an actual rat can mask what you’re really trying to say there. Saif Ali Khan holding a white rat in his hand and singing, “ Mai laya hu chuha apna. Govinda and Karisma might have made the vulgar choreography suitable but objectively, this was not a song you could watch with your parents sitting next to you.Īkshay Kumar grazing Madhoo’s body and singing, “ Turu ru turu ru turu ru turu, kahan se karu mai pyaar shuru“? Kids! It’s time for bed! “ Sarakaye loo khatiya jaada lage, jaade mein balama pyaara lage.” While Mithun Chakraborty lies comfortably on top of Ayesha Jhulka on a stack of hay, women in the background sing, “Chadh gaya upar rey, atariya peh lotan kabutar re.” “Kabutar”… Sure… Pointing to herself, she sings, “ Ye maal gaadi tu dhakka laga.” Following about a million obvious pelvic thrusts, the song goes: Waqt hai kam aur lamba safar hai. Perhaps the most disgusting one on the list, the song opens with a shot of Juhi Chawla moaning in bed with Anil Kapoor on top of her. After several ‘ haiyya‘s, the lyrics go, “ Maine zor lagaya, haath se bhi dabaya. Hum toh tambu me bambu lagaye baithe” as he grips a pole between his legs. You probably didn’t expect one of Amitabh Bachchan’s songs to be on the list, but here we are! In the video, Big B sings, “ Hum toh tambu me. “ Chhat pe leti hai, kamre me leti hai/ Bistar me leti hai, khule aam/ Let ke leti hai, baith ke leti hai.” Gross! But then they save it with the next line that goes, “ Kya bura hai uska nam leti hai, kiska? Apne sajan ka apne balam ka.” The video is actually even more disgusting with women in dog’s poses and the salacious vocals. The title of the song is pretty much obvious but the lyrics continue to get worse. Here are 12 such old Bollywood songs that might seem innocently confusing on the surface, but now that we have grown up, we know they are talking about S-E-X. Probably because censorship wouldn’t allow them to go explicit, but there’s no keeping Bollywood away from sex, is there? While our parents love giving us lectures when they overhear us listening to songs like “I am a hunter” (Gangs of Wasseypur) and “Bhaag DK Bose” (Delhi Belly), old Bollywood songs were actually loaded with sexual innuendos, more so than they are today. As much as our elders would like to blame this younger generation and their taste in music for the emergence of artists like Honey Singh, the music from their days wasn’t as pure and pious as they would have us believe.
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